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Selected works of Brook Andrew
Biography (Print)

Past exhibitions at the gallery
Future exhibitions at the gallery
Exhibitions outside the gallery




Brook Andrew



Biography

Born in 1970, Sydney, Australia
Lives and works in Melbourne



Education

1998-99    Master of Fine Arts, Research, COFA, University of NSW, Sydney
1990-93    Bachelor of Visual Arts, University of Western Sydney, Nepean, Sydney

Solo exhibitions

2017
- BROOK ANDREW: THE RIGHT TO OFFEND IS SACRED, National Gallery of Victoria, Melbourne, Australia
- Assemblage, Galerie Nathalie Obadia, Brussels
- The Cell, The Substation, Newport, Victoria, Australia
- MEG / Musée d’ethnographie de Genève, Switzerland

2016
- EVIDENCE, Museum of Applied Arts and Sciences, Sydney, Australia
- Nations Party as part of Antipodes, Australian Print Workshop, Melbourne, Australie
- Donut II, Australian Embassy in France, Paris, France
- The Forest, Galerie Nathalie Obadia, Paris
- Space and Time., Roslyn Oxley9 Gallery, Sydney, Australia

2015
- Sanctuary: The Tombs of the Outcasts, Ian Potter Museum of Art, the University of Melbourne
- Possessed, Tolarno Galleries, Melbourne

2014
- WITNESS, Lyon Housemuseum, Melbourne, Australia
- De Anima , RMIT Design Hub, Melbourne, Australia
- Catching Breath, Australian High Commissioner's Residence, Singapore

2013
- Anatomie de la mémoire du corps : au-delà de la Tasmanie, Galerie Nathalie Obadia, Paris
- 52 Portraits, Tolarno Galleries, Melbourne, Australia
- Jumping Castle War Memorial, FeliXartMuseum, Drogenbos, Belgium
- Les trophées oubliés, Musée d’Aquitaine, Bordeaux, France

2012     
- Earth House, Australia House, Echigo-Tsumari Triennial, Japan
- Warang, Museum of Contemporary Art, Sydney, Australia
- Travelling Colony, Sydney Festival and Carriageworks, Sydney, Australia
- NO NAME STATION, Gertrude Contemporary Art Space, Melbourne, Australia

2011     
- Paradise, Tolarno Galleries, Melbourne, Australia
- 18 Lives in Paradise (the installation), Artspace, Sydney, Australia
- The Cell, MONA FOMA Festival of Music and Art, Hobart, Govett Brewster, New Zealand, and Perth Institute of Contemporary Art, Perth, Australia

2010     
- The Cell, Sherman Contemporary Art Foundation, Sydney and Institute of Modern Art, Brisbane

2009     
- Danger Of Authority, Tolarno Galleries, Melbourne, Australia
- 8 Months At War, DETACHED, Hobart & University of Queensland Art Museum, Brisbane, Australia
- Brook Andrew: The Island, UQ Art Museum, Brisbane, Australia

2008     
- BROOK ANDREW: THEME-PARK, AAMU, The Netherlands
- The Island, Museum of Archeology and Anthropology, Cambridge, UK

2007     
- Come into the Light, Tolarno Galleries, Melbourne, Australia
- Brook Andrew: Eye to Eye, A survey exhibition curated by Monash University Museum of Art, Melbourne, touring Australian and south/south-east Asia

2006     
- YOU’VEALWAYSWANTEDTOBEBLACK, National Gallery of Victoria, Melbourne, Australia 3

2005     
- Peace, The Man & Hope, Gabrielle Pizzi, Melbourne, Australia

2004     
- Kalar Midday series and Emu, Gallery Gabrielle Pizzi, Melbourne, Australia

2001
- the good side, the bad side, the other side, Experimental Art Foundation, Adelaide, Australia
- Buunji nginduugir AMERICA, Artspace, Sydney
- The unseen. Sanskriti Kendra, Delhi, India

1999     
- contention series, Contemporary Art Centre of S.A. Inc. Adelaide, Australia

1996     
- Dispersed Treasures, Royal Albert Memorial Museum, Exeter, UK 

Group exhibitions

2017
- National Indigenous Art Triennial: Defying Empire, National Gallery of Australia, Canberra, Australia
- Sovereignty, Australian Centre for Contemporary Art, Melbourne, Australia
- Erewhon, Horsham Regional Art Gallery, VIC, Australia

2016
- Intervening Time, 8th Asia Pacific Triennial of Contemporary Art (APT8), Gallery of Modern Art and Queensland Art Gallery, Queensland, Australia
- Situate, Art in Festivals , Guest Provocateur, Tasmania, Australia
- In Motion, City of Canada Bay, Sydney, Australia
- Antipodes, Museum of Archaeology and Anthropology, University of Cambridge, UK
- Encounters, Curated by Alexie Glass-Kantor, Art Basel Hong Kong, Hong Kong
- For an Image, Faster Than Light, Yinchuan Biennale, Museum of Contemporary Art (MOCA), Yinchuan, China
- The Wandering I/ Eye, Centre for Contemporary Photography, Melbourne, Autralia
- Networking the Unseen, Furtherfield Gallery, London, UK
- Telstra Art Awards, Southern Cross Station, Melbourne, Australia
- Maiwar., Black History Month. William Jolly Bridge, Brisbane, Australia
- Fleurieu Art Prize, Anne and Gordon Samstag Museum of Art, Adelaide, Australia
- Erewhon, Margaret Lawrence Gallery, Melbourne, Australia
-
- Soft Core, Casula Powerhouse Arts Centre, Sydney, Australia

2015
- Really Useful Knowledge (Un saber realmente until), Museo Nacional Centro de Arte - Reina Sofia, Madrid, Spain
- Artist and Empire , Tate Britain, London, UK
- Global Imagination, Museum de Lakenhal, Leiden, The Netherlands
- ANTIPODES: The Expedition. The Expression. The Exhibition (Residency), Cambridge University, UK
- do it (Adelaide), Ongoing exhibition curated by Hans Ulrich Obrist at the Anne & Gordon Samstag Museum of Art, Adelaide, Australia
- Artist Making Movement, Asian Art Biennial, National Taiwan Museum of Fine Arts, Taiwan
- Indigenous Art: Moving Backwards into the Future, The National Gallery of Victoria, Melbourne, Australia
- RECHARGE: the Experimenta 6th International Biennial of Media Art, National touring exhibition, Australia
- Light Play: Ideas, Optics and Atmosphere, UQ Art Museum, The University of Queensland, Australia
- Wiradjuri Ngurambanggu, Murray Art Museum, Albury, Australia
- Dead Ringer, Perth Institute of Contemporary Arts (PICA), Australia
- The Biography of Things, Australian Centre for Contemporary Art (ACCA), Melbourne

2014
- Vivid memories, An Aboriginal Art History, Musee d'Aquitaine, Bordeaux, France
- Adelaide Biennal of Australian Art, North Terrace, Adelaide, South Australia
- Melbourne Now, National Gallery of Victoria, Australia
- Discoveries: Art, Science & Exploration from the University of Cambridge Museums, Two Temple Place, The Bulldog Trust, London.

2013
- in.print.out, Künstlerhaus, Vienna
- Making Change, Australian Centre for Photography, Sydney and the National Museum of China, Beijing
- I WANT CHANGE, Latrobe University Museum of Art, Melbourne
- My Country, I Still Call Australia Home: Contemporary Art from Black Australia, Gallery of Modern Art, Brisbane, Australia

 2012     
- The Floating Eye, Sydney Pavilion, at the 9th Shanghai Biennale, China.
- Negotiating this world: Contemporary Australian Art, National Gallery of Victoria, Australia
- Variable Truth, Gallery 4A, Sydney
- Made to Last: The Conservation of Art, Regional tour includes Latrobe Regional Gallery, Warrnambool ArtGallery,WangarattaArtGallery and Art Gallery of Ballarat, Victoria,
- Message Stick: Indigenous Identity in Urban Australia, Department of Foreign Affairs and Trade International tour: An Artbank exhibition toured by Museums & Galleries NSW

2011
- From Blank Pages, Art Space Pool, Seoul, South Korea
- Burn What You Cannot Steal, Gallery Nova, Zagreb, Croatia
- Local Memory, Carlton Brewery, Central Park, Sydney, Australia
- 10 ways to look at the past, National Gallery of Victoria, Melbourne, Australia
- Text (as) Image, Level 17 Artspace, Victoria University, Melbourne, Australia
- TELL ME TELL ME: AUSTRALIAN AND KOREAN ART 1976–2011, MCA, Sydney, and MOCA, Seoul, South Korea
- Looking at Looking, National Gallery of Victoria, Melbourne, Australia
- An Archival Impulse, Plimsoll Gallery, University of Tasmania, Hobart, Australia

2010
- 21st Century: Art in the First Decade, Gallery of Modern Art, Brisbane, Australia
- 17th Biennale of Sydney, Curated by David Elliot, Sydney, Australia
- No Name Station, Gertrude Contemporary, Melbourne, Australia, and Iberia Centre of Contemporary Art, Beijing, China
- Carnival, Lake Macquarie City Art Gallery, NSW, Australia
- GRAND NORD GRAND SUD Artistes inuit et aborigines, Musée de L’Abbaye de Daoulas in co-production with Musée des Confluences, Lyon, France 4
- Curious Colony, a twenty first century Wunderkammer, Newcastle Regional Art Gallery, NSW, Australia
- 100 Years: Highlights from The University of Queensland Art Collection, Brisbane, Australia
- Stick it! Collage in Australian art, National Gallery of Victoria, Melbourne, Australia

2009     
- The Exotic Human, Other cultures as amusement, Teylers Museum, Haarlem, Holland, and Museum Dr. Guislain, Ghent, Belgium

2008
- typical! Clichés of Jews and Others, The Jewish Museum, Berlin, Jewish Museum, Vienna, and Spertus Institute, Chicago
- Half Light – Portraits of Black Australia, Art Gallery of NSW, Sydney, Australia
- Lost & Found: an Archeology of the Present, TarraWarra Biennial, TarraWarra Museum of Art, Victoria, Australia

2007
- DE OVERKANT/DOWN-UNDER: Stichting Den Haag Sculptuur, Den Haag, The Netherlands
- The story of Australian printmaking 1801–2005, National Gallery of Australia, Canberra, Australia
- Alfred Metraux: From fieldwork to Human Rights, Smithsonian Institute, National Museum of Natural History, Washington D.C. United States of America. October 2006-March 2007
- PRISM: CONTEMPORARY AUSTRALIAN ART, Bridgestone Museum of Art, Ishibashi Foundation, Tokyo, Japan
- TRANS VERSA, Museo de Arte Contemporáneo, Santiago, Chile

2006
- Light Sensitive, Contemporary Australian Photography from the Loti Smorgon Fund, National Gallery of Victoria, Australia
- Points of View: Australian Photography 1985-9, Art Gallery of NSW, Sydney, Australia
- HIGH TIDE: currents in contemporary Australasian art, National Gallery of Art, Warszawa, Poland, and Contemporary Art Centre, Vilnius, Lithuania
- SATELLITE06, Yangshupu Rd. Pavilion, Shanghai, China: A Shanghai Biennale satellite event
- The Adelaide Biennial of Australia 2006: 21st Century Modern, Art Gallery of South Australia, Adelaide, Australia

2005     
- Black on White, Centre for Contemporary Photography, Melbourne, Australia
- The ButterflyEffect. Australian Museum, The Sydney Festival, Sydney, Australia

2004
- Colour Power, National Gallery of Victoria, Melbourne, Australia
- 2004 Australian Culture Now, Australian Centre for the Moving Image and the National Gallery of Victoria, Melbourne, Australia
- Our Place: Indigenous Australian now, Cultural Olympiad Program, Athens, Greece
- Images: Photo’s by Aboriginal Artists, Aboriginal Art Museum, Utrecht, The Netherlands
- Aboriginal Art: Spirit & Vision, Sammlung-Essl, Vienna

2003     
- Australian Photographic Portrait Prize, Art Gallery of NSW, Sydney, Australia
- New View: Indigenous Photographic Perspectives, Monash Gallery of Art, Melbourne. National touring exhibition

2002     
- Border Panic, Performance Space, Sydney 5

2000
- Blondies and Brownies, Torch gallery, Amsterdam, The Netherlands
- 4th Nouméa Biennale d'Art Contemporain, Nouméa –Pacifique, Tjibaou Cultural Centre, New Caledonia
- Orbital, Experimenta Media Arts at The Lux Centre for Film, London, UK, & Centre for Contemporary Photography, Melbourne, Australia

1999     
- MENTHEN…queue here! djamu Gallery, the Australian Museum at Customs House
- Claiming Title, United States touring show: Carleton & St. Olaf College, MN, Lawrence Uni.,WI, Samuel Dorsky Uni., SUNY
- Perspecta 99, S.H. Ervin Gallery, Observatory Hill, Sydney, Australia
- Beyond Myth-Oltre Il Mito, Palazzo Papadopoli, 48th Venice Biennale, Italy
- Moet and Chandon Australian Art Fellowship 1999, Art Gallery of NSW, Sydney, Australia

1998
- Constructed in the Field of the Other, Artspace, Sydney, Australia
- Re-take: Contemporary ATSI Photography, National Gallery of Australia, Canberra, Australia. National touring exhibition

1997     
- Quay Works, Sydney Festival, Sydney, Australia

1996     
- Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide, Australia
- Souvenir Greetings from Sydney, Craft Council of NSW, Sydney, Australia

1995     
- Perspecta, Art Gallery of New South Wales, Sydney, Australia

1994-95  
- Blakness: Blak City Culture, Australian Centre for Contemporary Art, Melbourne, Australia. National touring exhibition
- True Colours-ATSI Artists Raise the Flag. Boomalli. British and Australian national touring exhibition

1994     
- Fresh Art, S H Ervin Gallery, Sydney, Australia

1993     
- Mary Alice Evatt Award, Artspace, Sydney, Australia

1992
- Wring, The Performance Space, Sydney, Australia



Collections

National Museum of Contemporary Art, Seoul, South Korea.
National Gallery of Australia, Canberra.
Art Gallery of Western Australia, Perth.
National Portrait Gallery, Canberra.
Art Gallery of New South Wales, Sydney.
Museum of Contemporary Art, Circular Quay, Sydney.
National Gallery of Victoria, Melbourne.
Queensland Art Gallery, Brisbane.
Art Gallery of South Australia, Adelaide.
ARTBANK, Australia.
The Vizard Foundation Collection, Melbourne.
BHP Billiton Collection
Darling Collection
Flinders University Museum
Benalla Art Gallery, Victoria.
Museum Victoria, Melbourne.
Monash Gallery of Art, Melbourne.
Northern Territory University Art Collection, Darwin.
University of Wollongong Art Collection
Griffith University Art Collection, Brisbane.
University of Western Sydney
Monash University Museum of Art, Victoria.
La Trobe University Art Museum
University of Melbourne Art Collection, Australia

Local and international private collections.

 

 



Catalogues

2013   TABOO. Museum of Contemporary Art, Sydney
2010   Wayne Tunnicliffe et al, Brook Andrew The Cell, Sherman Contemporary Art Foundation, Sydney & Institute of Modern Art, Brisbane
2008   Trent Walter (ed.), Brook Andrew Theme Park, Museum of contemporary Aboriginal Art, Utrecht, The Netherlands
2005   Marcia Langton, Brook Andrew Hope & Peace, Gallery Gabrielle Pizzi, Melbourne


Press articles

Barrett, J., & Millner, J. Djamu Gallery, 1999-2000, A Project of the Australian Museum. In ‘Australian Artists in the Contemporary Museum.’ Ashgate. 2014.
Prior, D. WITNESS at the Lyon Housemuseum in ‘ARTICHOKE: Australia’s interiors and design magazine’. Issue 48, Sept-Nov 2014. Architecture Media Pty Ltd, Melbourne.

Anderson, I. Re-assembling the trophies and curios of Colonialism & the Silent Terror & Papastergiadis, N. Brook Andrew: Counterpoints and Harmonics. Published by Tolarno Galleries for the occasion of 52 Portraits by Brook Andrew. 2013
Hoffman, A.  Taboo in ‘ARTFORUM’. 2013
Akel, J. Taboo. In ‘ARTFORUM’, 2013
Lydon, J. Out of Sight and Out of Mind? in ‘The Flash of Recognition: Photography and the Emergence of Indigenous Rights’. Monash University Press, Australia, 2012
Finch, M. Looking at Looking: The Photographic Gaze, National Gallery of Victoria, Melbourne, 2011,
Forster, S. Brook Andrew and Trent Walter, IMPRINT, Vol. 46, No. 3, Print Council of Australia, Melbourne, 2011
Garneau, D. & Farmer, M Little Distance Between Us, Fuse Vol. 33, No. 4, Artons Publishing, Canada, 2010
Gardner, A. Brook Andrew: Sensation and Sensory Politics in  ‘Art & Australia’. Volume 47, No 4. 2010
Elliot, D. From Captain Cook to Cap'n Hook…and give me that old time religion, in 'The Beauty of Distance: Songs of Survival in a Precarious Age'. 17th Biennale of Sydney & Thames and Hudson Australia. 2010
Andrew, B. Remember How We See The Island in Allen, Harry (ed.) Australia: William Blandowski’s Illustrated Encyclopedia of Aboriginal Australia, Aboriginal Studies Press
Rawling, A. Brook Andrew: Archives of the Invisible in 'Art Asia Pacific'. Issue 69 May/June 2010. New York
Murry-Cree, L. Brook Andrew in ‘Artist Profile’.Issue 11, 2010. Next Media, Australia
Cresci, M (Ed). ‘Future Images’. 24 ORE Motta Cultura srl, Milano. 2009
Riphagen, M. Theme Park: A Rollercoaster Ride in Art Monthly Australia. #221 July, 2009
 ‘Current: Contemporary Art from Australia and New Zealand’. Edited by Art & Australia. 2008
Nicholls, C. Signs for the Times, in ‘Monument: Architecture and Design. The Light Issue’. Text Pacific Publishing, Vol. 88, December 08/January 09
Thomas, N. ‘Blow-up: Brook Andrew and the anthropological archive’. Catalogue essay. Museum of Archaeology and Anthropology, University of Cambridge. 2008
Johnston, R. Lost & Found: An Archeology of the Present in ‘un Magazine.Vol.2,Issue 2, 2008
Papastergiadis, N. Crossed Territories in ‘Brook Andrew: EYE TO EYE. Monash University Museum of Art. Melbourne, 2007
Corkhill, E. In Sights/Arts: Aboriginal art on top at Down Under Exhibition. International Herald Tribune: The New York Times, The Asahi Shimbun.
Nicholls, C. Transcending The Culture of Sheep, in ‘Asian Art News’. Asian Art Press, Hong Kong. Vol 16 No. 4. July/August 2006
Minter, P. (ed.).Telling Our Own Stories: Peter Minter Talks to Artist Brook Andrew, in ‘BLAK TIMES. Meanjin: New Writing in Australia’. Vol. 65. No.1. 2005
Annie, E. Coombes (ed). ‘Rethinking Settler Colonialism: history and memory in Australia, Canada, Aotearoa New Zealand and South Africa.’  Manchester University Press, 2005
Craswell, P. Brook Andrew: Hope & Peace, in ‘Artlink: Ecology, Everyone’s Business’. South Australia. Vol. 25. No.4. 2005
Langton, M. Making tha Land Speak: Aboriginal Subalterns & Garrulous Visuality in ‘KNOWLEDGE+DIALOGUE+EXCHANGE remapping cultural globalisms from the south’. N. Tsoutas (ed). Artspace visual Arts Centre, Sydney. 2005
 ‘Macquarie Atlas of Indigenous Australia: culture and society through time’. Macquarie Dictionary, Macquarie University, NSW. 2005
Spilia, E. Blakatak in ‘un Magazine’. Issue 6 Summer 2005
Report from Australia: Down Under No More, in ‘Art in America’.  Brant Art Publications, New York. April 2005
Langton, M. (2005). HIGH EXCELLENT TECHNICAL FLAVOUR, in ‘Brook Andrew : Hope & Peace’. Gallery Gabrielle Pizzi and Brook Andrew. Melbourne, 2005
Jolly, M. (2005). Image and Imagination, in ‘Le Mois de la Photo à Montréal’, Canada. McGill-Queen's University Press, 2005
People Like Us – ‘Griffith REVIEW’, Issue 8. Griffith University, Australia. 2005
Newall, M. Brook Andrew, in ‘Photofile’. No 71, Winter 2004
Crawford, A. Brook Andrew, in ‘Australian Art Collector’. Issue 27, Jan-March 2004
Nicholls, C. Brook Andrew: Seriously playful, in ‘Real Time + Onscreen’. April-May, 03
Thomas, D. S&D at NGV in ‘Art Monthly Australia’. June 2003
Chapman, C. Brook Andrew: Never make decisions based on fear, in ‘Art in Australia’. Vol. 40/3 March, 2003
BIG Magazine. Issue 44. Australia, 2002
Fenner, F.  Ground Work, in ‘Art in America’. May, 2001
Loxley, A. Back from the Sidelines in ‘Art & Australia’.Vol 39, No.1 2001
‘The Oxford Companion to Aboriginal Art and Culture’. Oxford University Press. 2000
Leggett, M. (ed). ‘Tekhne: Photofile’, Australian Centre for Photography. Issue 60, August, 2000
I SPLIT YOUR GAZE, ‘Totem & Taboo Issue, LOG Illustrated', Spring 1999: EIGHT, New Zealand
Venice Biennale Supplement, in 'Flash Art'. Pge. 53. May/June, 1999
Sutton, P. 48th Venice Biennale: Arkley's burbs surprise, in 'The Age'. 15th June, 1999
Barragán, P. Imágenes Aborígenes, in 'El Periodico del Arte, Exposiciones'. P.17. France. No. 22. Mayo de 1999
Green, C. Constructed in the Field of the Other, in 'Art/text' no. 65, May/July, 1999
Coatsworth, W. Brook Andrew and Rea: bLAK bABE(Z) & kWEER kAT(Z). 'Eyeline'. Issue No. 36. Pge. 38. Autumn/Winter. 1998



Awards/Fellowships

2017
Smithsonian Artist Research Fellowship.
Deviant Practice. Research Programme,Van Abbe museum, Eindhoven
Recipient of the esteemed Berlin residency at the Künstlerhaus Bethanien residency, from the Australia Council of the Arts

2016
Standing by Tunnerminnerwait and Maulboyheener, collaboration with Trent Walter commissioned by the city of Mebourne
Asialink Artist Residency, Sa Sa Projects, Phnom Penh, Cambodia
Les Récollets. Hosted by the City of Paris and Institut Francis
Photography Residencies Laureate 2015, musée du quai Branly, Paris, France
Centre Intermondes, La Rochelle, France
2016–2018 Federal Government Australian Research Council (ARC) Grant for Representation, Remembrance and the Memorial.
VicArts Creative Development, Creative Victoria.
Project Grant. Australia Council for the Arts.
Standing By Tunnerminnerwait and Maulboyheener. Collaboration with Trent Walter. City of Melbourne Public Art Commission.
Rhodes Peninsula Public Art Commission, City of Canada Bay, Sydney.

2013  
Georges Mora Foundation Fellowship. In collaboration with Trent Walter. State Library of Victoria, Australia

2012-13  
Sidney Myer Creative Fellowship
Curator of TABOO. Museum of Contemporary Art Australia, Sydney

2011
Honorary Fellow. Centre for Cultural Materials Conservation. The University of Melbourne          
Echigo-Tsumari Art Triennale, Japan: International Program, Cultural Exchange. Arts Victoria.

2008-09
 
ISCP residency NYC, Visual Arts Board, Australia Council

2006       
New Work, VACB, Australia Council
South Project. TRANS VERSA. Museum of Contemporary Arts, Galeria Metropolitana and Centro Cultural Matucana 100, Santiago, Chile.
Contemporary Art Centre, Vilnius, Lithuania.

2005
   
People’s Choice, Josephine Ulrick and Win Schubert Photography Award, Gold Coast, Queensland
Honorary Fellow, School of Anthropology, Geography and Environment Studies. University of Melbourne

2004
       
Recipient, Works on Paper, Telstra National ATSI Art Award, Northern Territory

2002       
Feature Film Development Grant, Australian Film Commission
Research Grant, College of Fine Arts, University of NSW, Sydney
Intersections. University of Hawaii, School of Art. Hawaii
Bundanon Trust. Nowra. Australia

2001
       
Fellowship, Australia Council for the Art
Sanskriti Kendra. New Dehli, India. Asialink Residency

2000       
Professional Development Grant, Australia Council
Metro Screen and the Australian Film Commission, Sydney
Gasworks and Goldsmith College, London University, London

1998   
Recipient of The 1998 Kate Challis RAKA Art Award, Ian Potter Museum of Art, University of Melbourne, Victoria
Metro Screen and SBS, Sydney

1997       
New Work Grant, Australia Council

1996       
Professional Development Grant, Australia Council

1993       
Mary Alice Evatt Award: Artspace, Sydney